In “Interval”, we follow a nameless man in a world left in ruins after a major earthquake. As we watch the film, “Interval” invites its audience to contemplate on the relationship between memory-time-space, photography-video and the concepts of mobility and immobility. It is in this particular context, “Interval” commemorates Chris Marker’s pioneering masterpiece, La Jetée (1962).

It was extremely important for “Interval” to have an influential and lasting cinematographic audio-visual impact on the viewer. For this reason, the post-production lasted almost a year.
Alper Sarıkaya acted as the Digital Art Director and Visual Effects Supervisor who spent more than several hundred hours to paint, detail and construct every shot, frame by frame while Murat Gülbay who was in charge of Sound Editing and Sound Mix, created a detailed and sophisticated sound design.

“Interval” is written and directed by Hüseyin Mert Erverdi who also acted as the DOP and the editor of the film. “Interval” has two actors: Tan Arcan, who played the nameless man and Nuray Işıklı who played the little girl.

Sam Brookes + Chasms + Ashley Shadow + Casket Girls.

Then his great father’s mother clasped him round
With clinging arms: she kissed his shoulders broad,
His head, his breast, his bearded lips she kissed,
And Acamas kissed withal, the while she shed
Glad tears on these who could not choose but weep.

Q.

Thomas Rouzière, Paris.

For timidity betrays a want of powers, and audacity a want of skill. There are, indeed, two things, knowledge and opinion, of which the one makes its possessor really to know, the other to be ignorant.

H.

Tor Dahlin, Oslo, Norway.

Then through the foe the son of Peleus made
Wide havoc: all around the earth was drenched
With gore, and choked with corpses were the streams
Of Simois and Xanthus.

Q.

Best Of Fake Avatar SoundCloud.

Among citizens, there are honorable exceptions. But the reaction of the states is a moral disgrace, even putting aside their considerable responsibility for the circumstances that have compelled people to flee for their lives.

N.C.

The absolute pitch of the silent majority, in abstinence from inquisition’s stake, disperses on the wooded slopes of the open sewers.

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