Ghost Harmonic are solo violinist Diana Yukawa, electronic pioneer John Foxx and his collaborator in John Foxx And The Maths – Benge.
They’ve been working at Benge’s MemeTune Studios in Shoreditch, London over the last couple of years, creating the Ghost Harmonic sound – a combination of the purity of Diana Yukawa’s violin with the complexity and textured noise of analogue machinery.

As Benge puts it, ‘there is something very satisfying about combining Diana’s beautiful 17th Century violin with a subsonic tone-blast from a Moog Modular.’

Matt Porteous, The Observatory Visual Culture.

The propaganda model does not assert that the media parrot the line of the current state managers in the manner of a totalitarian regime; rather, that the media reflect the consensus of powerful elites of the state-corporate nexus generally, including those who object to some aspect of government policy, typically on tactical grounds.

The model argues, from its foundations, that the media will protect the interests of the powerful, not that it will protect state managers from their criticisms; the persistent failure to see this point may reflect more general illusions about our democratic systems.

N.C.

Asserting that we “possess” a mind generates an unnecessary retro recursiveness of logic. Rather our evolutionary architecture generates our operation and awareness of the world.
There is no “I” in the way we generally imagine. There is only a body that interacts with other bodies, situated in history.

The “I” is a language construct that compresses a more complex interactive situation. What is important is not what’s “in” you or me but rather what happens between us, in the medium of language within which we communicate, in the social institutions within which we operate, in the culture that we’ve been conditioned by – at this point in time in our history.

S.

Nuno Andrade, Funchal, Portugal.

I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.

F.K.

This is Christian Stangls new intro. As motion-designer & photographer he wanted to try something new. So he took his old Leitz-microscope in combination with the canon 5d markII and brought his logo to life.

Federico Infante, born in Santiago, Chile in 1982. Federico Infante works predominantly in the medium of painting, he received his BFA from Finis Terrae University (Santiago, Chile) in 2002 and graduated in Spring 2013 with his MFA in Illustration from the School of Visual Arts in New York. He is currently living and working in New York.

He was the recipient of the Uanlane Foundation Scholarship (2012), the Conicyt Scholarship (2009), and the Juan Downey Grant (2004). He has had several successful solo and group exhibitions in Chile and New York. His work has been adopted into private collections across the US and internationally, including France, Belgium, Germany and Singapore.